Ghajini – Movie Review

ghajini

After coming out of the theatre, I asked mom whether she liked the movie. Her answer was:

Isn’t this the kind of movie Sunny Deol used to do 20 years back? 

I told her that she was a genius and this was the best one line in which the movie can be described. Somehow, the movie reminded me of those dubbed Nagarjuna and Rajnikant movies which were released in Bollywood in the 80s and the 90s. Why Oh why do you have to do this Aamir!!!!?!!???!!!!

Ghajini is the story of Sanjay Singhania ( played by Aamir Khan ) who is the owner of a Mobile service provider company. He is super rich(owns a private jet, always moves with 5 cars around him etc etc) and falls in love with an upcoming model Kalpana ( played by Asin Thottumkal ). All this happens in the past tense. In the present, Sanjay is an ultra muscular, salivating, screaming, wide/red eyed human(??) who is suffering from short term memory loss and whose memory span is only 15 minutes. He clicks photographs to remember what he was doing 15 minutes back and is searching for a Mr. Ghajini ( played by Pradeep Rawat ) whom he is supposed to kill. A medical student named Sunita ( who is apparently the dumbest Medical student in the history of world cinema) helps him achieving his goal.

Ten minutes into the movie and the horror of the upcoming disaster became apparent. Thankfully, Asin’s role is the only saving grace of the movie. She brings in stability and novelty to the almost-gone-out-of-control script. The portion of the movie which unfolds in the flashbacks is much more subtle and watchable. For the rest of it, you actually feel like watching an old Sunny Deol movie where he fights with the goons, revenging the love of his life. 

Switching on my “logic” button, the movie took quite a few liberties completely banking on the we-go-to-see-movies-for-entertainment mindset of an average moviegoer. I can understand that showing Aamir’s body was essential and in sync with the story but why was a rich businessman folding the sleeve of his shirts till his armpits even when he is in his office was beyond me ( Aamir looked more like a don than a businessman ). Why would a Medical student go to a Don(Mr. Ghajini) and tells him that there is a man after him and he should be alert when she can see four of his goons standing behind him and might apply a little brain to understand that he is no saint either? Why won’t a woman run out of her house when the electricity fails and when she knows that there are four goons in her house ready to chop her? If someone is telling the whole world that the owner of the biggest mobile service provider company is in love with her, won’t she atleast Google it once to see what he looks like?

A very very irritating background score, some very jagged shots and a cliched been-there-done-that plot. Aamir, wememento thought that we are done with such movies. Taking up the same revenge drama with a short term memory loss splashed inbetween does not make it different. And in the climax, when you move out of the hospital with the dumb medical student, reach the Don’s lair, beat up his 20 goons ( and in the process, rotated the neck of one of them by 180 degree with a punch ) and fight with the Don himself, what happened to the 15 minute short term memory loss? Or are you saying that you did all that in 15 minutes? 

The music is no great shakes either. “Tu meri adhuri” is the only memorable number. And don’t even think about comparing this one to the original movie – Memento. Infact, there are no parallels. Only the same basic thread. 

I am disappointed because I was expecting something Earth-shattering. I know I am an average stupid moviegoer, but I am not THAT stupid.

Rating – 2.5/5

Director – A. R. Murugadoss

Official Website – http://www.rememberghajini.com/

p.s. This is not something related to the movie, but in the Mall where I was having lunch after watching the movie, the following announcement was being made repeatedly – “We urge the owner of the car number XXXXXX to immediately contact the guard at the underground first level parking area. There is a child locked up in you car who is crying!!”

Sigh! What is the world coming to!

Tashan – Movie Review

When you start believing that life can’t get worst, it suddenly does.

This is what how an experience like Tashan can be summed up after watching movies like Race and U Me Aur Hum. Race at least had a constant oomph factor oozing out of each frame and an over-doze of twists and turns to make it watchable. Tashan looks like a mockery of the Indian audience, if nothing else. It made me believe that the Indian directors take me as a chimpanzee who will watch anything shown to him with great amazement and awe.

The movie revolves around four characters – Jimmy (Saif Ali Khan) who is a call centre executive and who learns to fire/dodge bullets as easily as someone learns to brush, Pooja (Kareena Kapoor) who works for Bhaiyyaji and who breaks into a sizzling hot number in a bikini just before submerging her father’s ashes in water, Bachchan Pandey (Akshay Kumar) who is a small time gangster and completely incapable of saying I love you to his lady love and finally Bhaiyyaji (Anil Kapoor) who is a notorious gangster hellbent on learning English and kills people with any sports equipment he can lay his hands on.

Tashan is an onion of problems. You can peel off layers and layers of them. Jimmy is so naive that he can’t make out that something is wrong when he sees a bag full of money fall off Pooja’s hands. Bhaiyyaji is one of the most irritating characters in the history of Indian Cinema and Anil Kapoor could have been nominated for the Indian Razzies, if they could have existed. Pooja is called a “bitch” so many times in the movie that Kareena’s grandchildren would be really embarrassed if they ever happen to watch the movie.

Tashan does not have a story. It seems like a rip off from Roop Ki Rani Choron Ka Raja, specially in the climax. And, oh yes, you would have to be really strong to bear the climax. Its the ultimate patience test ever created by Bollywood. The fight sequences are hilarious as you would have never seen heroes dodge so many bullets or jumping like a monkey on walls or ending up riding a water scooter in a gutter(kind of). Its unbelievable and sheer torture. Its amazing how our stars agree to do such scenes.

I would have rated the movie 1 out of five, but I would add another 0.5 for Kareena who is looking sizzling hot in all the scenes. Your heart would definitely skip a beat while watching her dance in “Chaliya” and “Dil Haara”. This 0.5 addition to the rating is also because of the comic scenes between Saif, Akshay and Kareena. Atleast they managed to make the audience laugh, even if it was ephemeral. And, yes, if you are going to watch the movie to see the latest hot pair of Bollywood in action, then forget it. Kareena is paired opposite Akshay and her love story with Saif ends in a blink in the first half.

An appeal to the director Vijay Krishna Acharya – Please come out of the mindset that Indian audience can’t digest a movie without over the top comic characters (like Anil’s) or fight sequences straight out of Marvel comic strips or without the thin waistline of the heroine on display. We are tired of giving the proof time and again, that we are ready for sensible and serious cinema.

One last word – After watching Tashan, I believe that Race should be sent for the Oscars.

Rating – 1.5/5

Director – Vijay Krishna Acharya

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U Me Aur Hum – Movie Review

Its always a very brutal job to pan down a directorial debut. Its the closest you can reach to a catch 22 situation. You don’t want to point out all the obvious flaws because its the first movie of the director and on the other side you have such glorious examples ( for example – Taare Zameen Par) of some near perfect debuts that you crave to underline those very flaws. So does U Me Aur Hum fall into the usual Bollywood traps or does Ajay Devgan has a different story to tell?

Ajay Devgan directs his first movie and himself plays the character of Ajay, a leading psychiatrist who meets Pia (Kajol) on a cruise. Ajay is on the ship with his friends Nikhil (Sumeet Raghavan) ,Reena (Divya Dutta) , Vicky (Karan Khanna) and Natasha (Isha Sharvani). Nikhil and Reena are married but are always fighting like cats and dogs. On the other hand Vicky and Natasha are happily unmarried. Ajay falls in love with Pia and after a little bit of fighting and bickering both of them get married. The story follows the journey of these three couples who influence each other lives by the decisions they make in their own, where the main emphasis is given to the love story of Ajay and Pia. It would not be appropriate to go deeper into the story as it would give away the plot.

The story of the movie is such that it could have stood apart only if the performances, dialogues and the screenplay would have been tour de force. Performances are honest and well etched but it is the dialogues and the screenplay which eventually pull down the movie. There are flashes of brilliance here and there but the overall effect looks half baked. For example, take the scene where Ajay is taking to his friends about his wife’s condition and they ask him to bring her back. Everything is perfect in the scene except the dialogues. The lines “Do you understand what I am trying to say” and “You know something” are repeated so many times across the length and breadth of the movie, that it starts getting on to the nerves after sometime. There are some scenes which don’t make any sense like the one in which Vicky is walking naked on the deck. What the heck??? 😐 Another problem is that nothing happens in the first half of the movie. Its completely flat and bland, something we have seen zillions of times in Bollywood movies. Its only in the second half that the movie starts making some sense. The scenes between Kajol and Ajay pick up the pace but when you walk out of the theatre at the end, you feel that something was missing throughout the movie.

Kajol is her bubbly self and is the only reason to watch the movie. Some actors are evergreen and she is one of them. Ajay Devgan is also “cool” except in the scenes where he knits his brows too sharply and say – “You know something??” Eeeeks!!! The rest of the cast also end up faring pretty decently, specially Sumeet Raghavan. Vishal Bharadwaj’s music score is passable but the lyricist Munna Dhiman is someone to watch out for. “Saiyaan” and “Dil Dhadka hai” stand out as far as lyrics are concerned. The title track by Shreya Ghosal is also hummable.

Ajay Devgan impresses in the way he shot some of the scenes on the ship and later some more crucial scenes in the movie like the one in which Kajol is staring at the lizard. He can create wonders for sure. All he needs is an impeccable script and an engrossing story.

Rating – 2.5/5

Director – Ajay Devgan

 

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Race – Movie Review

 

After China Town and Naqaab, there wasn’t much expected from the director duo Abbas Mastan, so it was easy to watch Race without any preconceived notions. If it would have been good, people would have applauded the comeback of the jodi which gave us Aitraaz and Ajnabee and numerous other hits. If it would have been bad, the directors would have had another egg on their face. Race, infact turns out to be neither good nor bad.

The story begins with Ranveer Singh(Saif Ali Khan) meeting with an accident and his alcoholic step brother Rajeev Singh(Akshaye Khanna) giving a sigh of relief that his brother is alive. Katrina Kaif plays Sophia, who is Ranveer’s seedhi saadhi secretary who is in love with her boss while Bipasha Basu plays Sonia who keeps on shuttling between the two brothers. Anil Kapoor(Detective R.D.) and Sameera Reddy(Mini) make an appearance only after the second half begins and indulge in their over the top Karamchand-Kitty act which manages a few laughs from the audience. As the story progresses, the audience is taken on a roller-coster ride of so many deceptions, fears and revelations that in the end you feel exhausted and just want all of it to stop. The first twist is great, the second one fine, the third one is ok…..but by the time the movie reveals its nth twist(Yawn!!!), you are quite sure that another one is there in the pipeline and then thankfully and suddenly the movie ends.

The problem with the movie is that there is an overdose of twists and turns and after sometime the characters start looking completely unbelievable. Sadly the movie starts looking like a Balaji Telefilms(God!!! I hate to mention them in all my posts) production instead of UTV’s. The “dead and still not dead” or the “step brother who hates his older brother” or the “poor vamp claws the rich guy” themes have been done to death in Indian cinema, but still Race follows the old path and that is what goes against it. And a special mention of the songs is a must here. The movie would have been much better without them, as they are completely out of place and not required at all. All they do is slowing down the pace of the movie and they sound nothing more than some bad remixes of old hindi songs.

On the brighter side, the starcast is the only saving grace of the movie as they try their best to look good and dance good and act good(Katreena still needs a lot of improvement here). The sets and the locations are good and the movie looks sleek. Akshaye Khanna is great as usual while Saif plays the part with intensity. Bipasha looks like a bombshell, specially in the scene in which she is introduced to Akshaye. Katrina should not cry in any of her movies. She looks really funny.

All in all, its a thriller gone wrong. Remove the songs and shorten the length of the movie and this could have been the best thriller of recent times. Its a one time watch if you have loads of time and nothing better to do.

Rating – 2/5

Directed by – Abbas Mustan

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Jodha Akbar – Movie Review

 

 

Phew!!! Finally saw it. There are a few things you need to prepare yourself for before watching the saga.

Firstly, if you don’t have the stamina or courage to sit through a movie which has a running time of 3 hours+ then AVOID it. Secondly, the last biggest hit of Hrithik-Aishwarya as a pair was Dhoom-2, something too dimensionally different from Jodha Akbar. So it will be hard for a big chunk of audience to digest them this way. The costumes, the dialogues, the customs are too different from the present era and I found many people in the audience laughing. Thirdly, we have a certain image of Akbar in our minds (thanks to Mughal-E-Azam) and its hard to see him as a madly in love, vulnerable and “young” Akbar trying to grope with the nitty gritties of politics. And that is exactly the problem with Jodha Akbar.

The negatives first. The first half of the movie opens up very well. The war sequence in the beginning is well executed. The marriage of a Mughal Emperor and a Rajput princess was completely unacceptable and a lot of political upheavals occurred before this happened. This buildup takes up a major portion of the first half, which is quite well shot and narrated by Amitabh Bachachan. The problem starts when the movie is inching towards the interval, when Jodha finally arrives in Agra after marriage. It is at that point when the movie begins to drag. Maham Anga, played by Ila Arun, is on the verge of turning the movie into some Balaji Telefilm’s serial ( Jodddhaaa Akkkkbar), when thankfully the interval appears like a knight in shining armour. Thankfully, just after the interval, Akbar throws out Maham Anga out of his life with his mother’s ( played by Poonam Sinha ) support and the movie picks up its pace. Another problem in the movie is its abrupt ending.

Now the positives. The movie boasts of some lush never seen before visuals. In a way its a beautiful visual treat throughout. May it be Jodha’s introduction scene or the elephant taming scene ( Its hard to imagine how Hrithik managed to do that) or the sword fight scene between Jodha and Akbar or the enchanting love story which enfolds as the movie progresses, the movie somehow sucks you in the flow of events. There are so many facts about Akbar which the movie reveals and which I have no intention of revealing here. It also portrays Jodha as a powerful queen who had a big hand in changing and moulding Akbar’s thought process and the way he handled his powers. She was the source behind his transformation, though in a very subdued way. The sublime scenes between the lead pair are the ones which hold the movie together. Hrithik has this huge burden of playing the Emperor and sometimes he puts too much effort and it shows. But somehow if I try to imagine someone else from the current breed of actors who could have done the role, I can’t imagine anyone else. Aishwarya is looking nothing less than a queen (*SIGH*). The songs are beautifully picturised. “In lamhoon ke daaman main”, “Khwaja mere Khawaja” and “Azeem-o-shan shenshah” perfectly stand out. The supporting cast which consist of Kulbhushan Kharbanda, Suhasini Mulay, Raza Murad, Sonu Sood, Ila Arun, Poonam Sinha have well etched roles which are performed well.

Hrithik and Aishwarya had the albatross of their last mega hit around their neck. I had a nightmare in which Jodha breaks into “Crazy kiya re” in front or Akbar and I promised myself that if Jodha Akbar would have one scene which would make me forget Aryan and Sunehri (Hrithik and Ash’s charecters in Dhoom 2), I’ll call this movie good. And yes, its good. Watch it for the honest effort which went into its making, watch it for Ashutosh Gowarikar who woke up a sleeping genre of films from its slumber and watch it to know the love story which somehow got lost in the pages of history.  

Directed by – Ashutosh Gowarikar

Rating – ***

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Jodha Akbar, Controversies and more…

jodha-akbar-wallpaper-14657-5641.jpg 2365-2.jpg omshantiom.jpg aajanachale.jpg rang_de_basanti.jpg fire_movie.jpg

While galloping google a few days back, I came across this article about the plans of Rajput outfits to boycott Jodha Akbar. If you read the link, then as per the organisations opposing the movie, Jodha was married not to Akbar(surprise!!!!) but to his son Salim. So, apun ka Bollywood, the prodigal daughter of controversies, has done it again. Or is it the other way round? If you would have followed the news on Bollywood controversies in the last few years, you would easily come to the conclusion that most of the movies which were made to gulp the controversy pill, were forced to do that for the most inane reasons. Its either because we don’t know the D of democracy or we can’t take the medium with a pinch of salt. Hence, its very important that the filmmaker should keep the following points in mind before starting a project :

  • Make sure that there are no jokes/references related to any communities. Always remember what happened to “Jo Bole Sonihaal”, “Khamoshi” and recently to “Aaja Nachle”. I could never understand, what in the name of Beelzebub, was the controversy behind Aaja Nachle? As far as I could remember, if a song used to have some controversial lyrics ( remember “Sexy Sexy” and “Sarkaiyo khatiya” ?), then the lyrics were changed and that decision was taken by the members of the Censor Board. But banning the movie in a state for this reason takes the cake. Are we moving back to the Neanderthal era?
  • If you want your movie to be released peacefully, make sure that you are not making a movie on any historical characters. Such movies have a high probability of running into troubled waters. Jodha Akbar, Mangal Pandey, Subhash Chandra Bose and Bhagat Singh rammed into trouble because of depicting lives of History book characters. The filmmaker will always find a set of people who will not agree with his research about the character which would lead to “Aa Bull mujhe maar”.
  • Never ever make fun of Veteran film personalities. If the movie is a hit then no one is going to bother but if its a flop then the filmmaker will have to live with the “kalank” of making fun of matinee idols whom he/she is supposed to worship. Recently Om Shanti Om went through the ordeal because of taking a dig at Manoj Kumar. Thankfully, the movie was a hit and recently Manoj Kumar was seen laughing at the Screen Awards function when the movie was mentioned.
  • Don’t make movies on social issues which are very hush hush. Remember the wars waged on Fire, Water and recently Black Friday. After finally watching Water, I think the kind of “Halla” created for the movie was nothing less than National disgrace. When are we finally going to grow up? Was there anything shown in the movie which we don’t know already? Do our beloved moral policemen consider the Indian audience to be so naive? Anyways, the point is that NO hushy hushy, only mushy mushy. 🙂
  • If a filmmaker has followed the above points religiously and has a bad luck, he/she will still land up in trouble anyways. The best examples in this category are Rang de Basanti(for the horse race scene (hhrumphhh!!!)), Fanaa( because of Aamir’s involvement in the Narmada river controversy in Gujrat) and recently Taare zameen par(for the same reason in Gujrat again!!!!). To evade such conditions the filmmaker should not actively participate in any Social causes, and should choose a cast which has an equally “I-don’t-care” attitude towards social issues and finally should consult an astrologer for the extra “Ks” and “Ms” in the movie title.

So, finally, what are the choices left? Well, love stories set in Alps, Fantasy(apparently, Indian movies are “too bad” in this category), Animation, crude comedies and stories which are different and don’t neglect any of the above points are the ones which would lead to a smooth and non-controversial release. 🙂 A last word for the audience and our self appointed moral policemen : Watching a movie is nothing different than reading a book or buying a painting. If you don’t like the book then don’t read it again, if you don’t like the painting then don’t buy it and if you don’t like the movie then don’t watch it again, but don’t take away the right of another person to form an opinion about it, specially when you are living in a country which is the largest Democracy of the world.

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Best of Bollywood in 2007

Its awards season again and Bollywood came up with quite a number of choices in 2007. And yes, this list does not contain Om Shanti Om. The last time you heard the name of this movie on this post was in the previous line. It also does not contain movies like Welcome and Partner as I can’t understand such movies. This year the keyword was – Different. A story which does not follow the trends, where character building is important than putting a dance number to pull the crowds.

Chak de india

az_b81290_chak-de-india_chak-de-india.jpg15 August would not have been better. As I sat in my seat waiting for the movie to begin, I had my own apprehensions. By the time the movie ended, I pinched myself to make sure that I have actually seen something like this and was not dreaming. The movie was path-breaking in the sense that it opened a new door, a new thought thread which could lead to different movie ideas. It also made a loud point that – Yes, you can have an entirely new plot and don’t need to rehash older plots again and again. Two thumbs up for the daredevil Shimit Amin.

 

Taare zameen par

437px-taarezameenpar.jpgI can bet that this movie can bring tears in the eyes of the most stone hearted person. As the song “hai na maa” started, there was hardly anyone in the theatre who was not crying. I consider this movie as a ray of hope. Its a tight slap on the face of the directors who say that we make movies for money and thus have to cater to the likes of the public. It woke up everyone to the power of the medium, to the fact that a movie can carry a message which can change so many lives. There are so many NGOs which try to spread awareness about dyslexia, but what this movie did in 15 days, the NGOs were not able to do in 15 years. Thanks to Aamir Maverick Khan, the director.

 

Jab we met

414px-jab_we_met_poster.jpgAahhh!!!! the DDLJ of this decade…as I call it. In a span of 10 years one such movie comes which somehow redefines love, underline the fact that a simple movie can be entertaining, the fact that a subtle plot and characterization is required for filmmaking AND the fact that love stories can still be told differently. The only problem as I see it is that this year there is no competition for Kareena in terms of Awards, but Shahid will be having a tough fight. Ironically speaking, this is the Biggest hit of the pair after the breakup. Both of them will be seen again in Satish Kaushik’s Milenge Milenge in 2008.

 

Cheeni kum

414px-cheenikumpos1.jpgThe promos of this movie were so compelling that I had to see it. Again I found it very different and daring too. Its not easy in India to showcase a romantic movie with such a dimension and get away with it. If I let go of the over extended ending, I thoroughly enjoyed every bit of it. There were so many scenes like Paresh Rawal forgetting to zip his trouser after Amitabh tells him that he wants to marry his daughter and the one in which Tabu makes Amitabh run so that she can check his stamina and the one in which Zohra Sehgal keeps asking Amitabh if he went to the gym or not.

 

Namaste London

413px-namasteylondon_poster.jpgThis is the type of comedy I can understand. When the filmmaker try to find fun in real life situations and not by making actors vomit out loud and foolish PJs. The surprise package of this movie was Katrina Kaif. I didn’t knew she could act but somehow she surprised me and the role was tailor-made for her. Another hit in Akshay Kumar’s kitty which already includes Heyy Babyy and Bhoolbhulaiya from this year’s list of hits and thankfully Himesh gave some decent numbers after a loooong time. “Teri yaad” and “Rafta rafta” were way above the unbearable category of songs Himesh churns out these days. 🙂

 

Life in a metro

800px-metrohindifilm.jpgToo many cooks may spoil the broth. This is what came to my mind as I went for this movie. But the dish was made well and served well too. So many plots but well woven and well shown. Whether it be Dharmendra, Shilpa Shetty, Konkana Sen Sharma, Irfan Khan, Kay kay, Shiney Ahuja, Kangana or Nafisa Ali, everyone had a well etched character to play. The music was composed by Pritam Chakraborty who surprisingly popped up with his band in each song. grrrrr….

 

Guru

guruposter.jpgMani Ratnam splashed his talent in Hindi movies after a long gap. Its generally hard to show the life of a person in 3 hours as the director have to jump years, but it somehow worked in advantage for this movie. Abhishek and Aishwarya looked good together, specially as the older couple. 😉 Vidya Balan, Mithunda and Madhavan were perfect for their roles and the songs fitted like gloves. The love story between Vidya and Madhavan was heart wrenching and you actually feel sad for the couple. And thank God someone gave apna Mithunda a “Role” after ages.

 

Provoked

424px-provoked.pngThe real life story of Kiranjit Ahluvalia was well crafted. The public opinion was not too good but somehow the movie stayed with me after I saw it. What Kiranjit went through made me realize that even a smallest person can change the course of the future. Aishwarya was able to bring out the growth in the character from the time she accidentally murders her husband to the time when she faces the judge at the end. The scenes between Kiranjit and her cellmate Veronica were the best in the movie. Nandita Das was as usual great in her cameo.

 

Bheja fry

bheja-fry.jpgAfter Khosla ka Ghosla, Rajat kapoor again shined in Bheja Fry. There were no big stars in the movie but it stood on the plot and the cast assembled. Sarika was seen after a long gap and she is still pretty(sigh!). Milind Soman looked like he had just returned from some deserted island where he was marooned from the last 5 years. It was not the usual kind of film, was short and crispy and that is why it was enjoyable .

 

Aaja nachle

Aaja NachleI can’t let go of this one. 🙂 Madhuri’s comeback movie was something I was looking forward to from a long time and I was not disappointed at all. Again, a different movie and a great group of actors accumulated, whether it may be Konkana Sen Sharma, Rajat Kapoor or Kunal. The play at the end was unexpectedly well picturised. No matter what the public opinion may be, the movie was worth the wait for me. “Mohini” still rocks. 🙂

 

Heyy Babyy

425px-heyybabyyposter.jpgInspired from the 1987 hit comedy Three men and a baby, Heyy Babyy had something for everyone. Thankfully Sajid Khan’s debut as a director was not as “over the top” as his sister’s. The movie had good performances by Akshay Kumar and Vidya Balan and surprisingly Fardeen was also seen “acting”. 🙂 Angel was very cute and adorable and held the movie together in the first half till Vidya Balan makes an appearance. The movie had some foot tapping numbers by Shankar, Ehsaan and Loy. A crowd of heroines made guest appearance in the title track and Shahrukh appears in “Dil da mamla” which is the highlight of the movie. All in all a complete package entertainer.

 

Bhool bhulaiya

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After being made in Malayalam, Kannada, Tamil and Telugu, the script finally reached apna Bollywood. I went for this movie after people started praising it. Yes, it was spookily surprising. Till the entry of Akshay Kumar the only holding factor was the ghost, but after his hilarious entry, Akshay takes the movie to an entirely different platform. The climax of the movie is a revelation. Just watch out Vidya Balan in the climax and you will surely get gooseflesh. The song towards the end where Vidya imagines herself as the dancer Manjulika is one of the best picturised songs in recent times.

 

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